Another point I didn't have room to include in my article, was one made by Professor Linda Williams of Berkeley:
She said to me, "The elephant in the room in all of this is that audiences today have all seen pornography-they’ve seen a lot of genitals whether on the Internet or dvd or vhs or whatever-it’s not like it’s unseen, it is just that it is-now that pornography is consumed in a quasiprivate way--the more social situation of the movie theater is still something that can make audiences uncomfortable if they see the things that they [usually] see in a more private context."
Taking her point in a different direction, perhaps director-producer Judd Apatow realizes that he can't avoid displaying visual imagery of the penis on the big screen when audiences today are so accustomed to seeing a wide range of images of penises on the small screen of the computer or television, due to the "pornification" of our culture--so it's ripe time to break this last taboo.
As Linda Williams also pointed out to me in an email after seeing Forgetting Sarah Marshall: "Our hero gets beaten up to retrieve the photos of the new girlfriend flashing her breasts. The film does not linger on those breasts. That is old news in a mainstream American movie. But it does linger on the penis at the beginning as a kind of terra incognita, as if to ask, can this be part of our romantic comedy as visible organ and not just as a word? The answer seems to be yes. This is not to say that the double standard is over, only that a certain hurdle has been leaped."
Regarding that moment in which the hero of Forgetting Sarah Marshall, Peter Bretter (Jason Segel), steals the photo of his girlfriend Rachel (Mila Kunis) revealing her breasts from the bathroom wall of a bar, I think this scene, like the movie, upholds the standard virgin/whore dichotomy. Rachel (Kunis) couldn't stay the romantic heroine of the movie, and still win our hearts, without being restored to seeming chaste (hence Peter has to remove the photo at the risk of his bodily harm)and not like a slutty "Girl Gone Wild." Rachel's character is a free spirit, but not so sexually free. Peter is allowed to have a string of one-night-stands after his girlfriend breaks up with him and we, the audience, still like him. But for us to still like Rachel, her chastity, or the illusion of it, has to be restored.
In the same way, male actors are allowed more latitude in their physical appearance. Segel is doughy, a little fleshy; Kunis and Kristen Bell are toned and sleek.
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